SimonXIX’s Twitter Archive—№ 46,979

Through the darkness of future's past, The magician longs to see. One chants out between two worlds...
On Internet Archive ❤️ 2 Favorites 27 January 2018

…in reply to @SimonXIX
Lynch is sometimes accused of misogyny because of his film's texts contain excessive violence against women. But the subtext of Twin Peaks: Fire Walk With Me (1992) is profoundly feminist.
Permalink On Internet Archive 27 January 2018

…in reply to @SimonXIX
The whole purpose of the film is Lynch explicitly telling the audience that behind the quirky, crime procedural that they loved was a young woman who suffered, who felt so much so deeply, and then was killed.
Permalink On Internet Archive 27 January 2018

…in reply to @SimonXIX
As Wallace says, Lynch was turning an object - a female corpse - into a subject - a young woman who felt, suffered, and died. Audiences hated it at the time because women should be objects: we don't want to hear about the inner life of a abused young sex worker.
Permalink On Internet Archive 27 January 2018

…in reply to @SimonXIX
Audiences wanted the continuation of Twin Peaks, the series: the further adventures of their male protagonist. Not to be confronted with the horror and darkness that women endured that was hidden behind everything they saw in the series.
Permalink On Internet Archive 27 January 2018

…in reply to @SimonXIX
For further feminist reading of Lynch, Martha Nochimson is good on this particularly The Passion of David Lynch.
Permalink On Internet Archive 27 January 2018